MU Libraries New Books: Literature (General)http://mulibraries.missouri.edu/collections/newbooks/MU Libraries New Books List for Literature (General). Updated every Wednesday.en-usCopyright 2007 University of Missouri Libraries. Book Covers provided by Amazon.com. All Rights Reserved.Karen D. Darling, darlingk@missouri.eduMathew Stephen, stephenma@missouri.edu5/15/2013 3:07:55 PM10080About the new book listThe RSS feeds for the new books list is updated every Wednesday and contains a list of books added to the Ellis Library collection for the last six weeks. The titles are grouped by call number classification, and are listed by week and alphabetically by title. <p><p>Books for the most recent weeks are currently on the New Books Shelves inside the north entrance of Ellis Library. They can be checked out.<p></p>Copyright 2013 University of Missouri Libraries. Book covers and descriptions provided by Amazon.com. All Rights Reserved.5/15/2013All the emperor's men : Kurosawa's Pearl Harbor / Hiroshi Tasogawa. (5/15/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9633970>PN1997.T63 T38 2012</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96339705/15/2013Double agents : espionage, literature, and liminal citizens / Erin G. Carlston. (5/15/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9634006>PN51 .C337 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96340065/15/2013Environmental crisis in young adult fiction : a poetics of earth / Alice Curry. (5/15/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9634011>PN721 .M36 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96340115/15/2013Epic / Paul Innes. (5/15/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9634012>PN56.E65 I56 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96340125/15/2013Fantasy film post 9/11 / by Frances Pheasant-Kelly. (5/15/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9634016>PN1995.9.F36 P53 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96340165/15/2013Latin American documentary filmmaking : major works / David William Foster. (5/15/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px'; valign='top'><a href=http://laurel.lso.missouri.edu/record=b9634042><img src='http://images.amazon.com/images/P/0816523312.01.MZZZZZZZ.jpg' style='border-style: none'/></a><p><center><a href=http://www.amazon.com/exec/obidos/ASIN/0816523312>View title at<br>Amazon.com</a></center>&nbsp;&nbsp;</p></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9634042>PN1995.9.D6 F67 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96340425/15/2013Making space public in early modern Europe : geography, performance, privacy / edited by Angela Vanhaelen and Joseph P. Ward. (5/15/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9634046>PN721 .M36 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96340465/15/2013Narrative care : biopolitics and the novel / Arne De Boever. (5/15/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9634053>PN3504 .D39 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96340535/15/2013New Argentine and Brazilian cinema : reality effects / edited by Jens Andermann and Álvaro Fernández Bravo. (5/15/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9634055>PN1993.5.A7 N49 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96340555/15/2013Selected film essays and interviews / Bruce F. Kawin foreword by Howie Movshovitz. (5/15/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9634079>PN1995 .K347 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96340795/15/2013Silencing cinema : film censorship around the world / edited by Daniel Biltereyst and Roel Vande Winkel. (5/15/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9633757>PN1995.6 .S53 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96337575/15/2013States of emergency : colonialism, literature and law / Stephen Morton. (5/15/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9634087>PN56.P555 M67 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96340875/15/2013The anatomy of Harpo Marx / Wayne Koestenbaum. (5/15/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b8523775>PN2287.M54 K84 2012</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b85237755/15/2013The B word : bisexuality in contemporary film and television / Maria San Filippo. (5/15/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px'; valign='top'><a href=http://laurel.lso.missouri.edu/record=b9633978><img src='http://images.amazon.com/images/P/9780253008794.01.MZZZZZZZ.jpg' style='border-style: none'/></a><p><center><a href=http://www.amazon.com/exec/obidos/ASIN/9780253008794>View title at<br>Amazon.com</a></center>&nbsp;&nbsp;</p></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9633978>PN1995.9.B57 S36 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96339785/15/2013The ecological other : environmental exclusion in American culture / Sarah Jaquette Ray. (5/15/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9634008>PN98.E36 R39 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96340085/15/2013The ghostly and the ghosted in literature and film : spectral identities / edited by Lisa Kröger and Melanie R. Anderson. (5/15/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9634026>PN56.S8 G48 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96340265/15/2013The Routledge reader in rhetorical criticism / edited by Brian L. Ott and Greg Dickinson. (5/15/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9434260>PN4096 .R68 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b94342605/15/2013The virtues of poetry / James Longenbach. (5/15/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9623197>PN1042 .L665 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96231975/15/2013Writing against time / Michael W. Clune. (5/15/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9633760>PN56.T5 C56 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96337605/15/2013Always apprentices : the Believer magazine presents twenty-two conversations between writers / edited by Vendela Vida, Ross Simonini, & Sheila Heti. (5/8/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9616549>PN452 .A49 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96165495/8/2013Contemporary mise en scène : staging theatre today / by Patrice Pavis translated by Joel Anderson. (5/8/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9462946>PN2189 .P3813 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b94629465/8/2013DC Comics year by year : a visual chronicle / written by Alan Cowsill ... [et. al]. (5/8/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px'; valign='top'><a href=http://laurel.lso.missouri.edu/record=b9611777><img src='http://images.amazon.com/images/P/9780756667429.01.MZZZZZZZ.jpg' style='border-style: none'/></a><p><center><a href=http://www.amazon.com/exec/obidos/ASIN/9780756667429>View title at<br>Amazon.com</a></center>&nbsp;&nbsp;</p></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9611777>PN6728.1.D3 D3 2010</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96117775/8/2013Ensemble theatre making : a practical guide / by Rose Burnett Bonczek and David Storck. (5/8/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9446510>PN2297.A2 B66 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b94465105/8/2013Hollywood and Hitler, 1933-1939 / Thomas Doherty. (5/8/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9623125>PN1995.9.N36 D65 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96231255/8/2013Indian accents : brown voice and racial performance in American television and film / Shilpa S. Davé. (5/8/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px'; valign='top'><a href=http://laurel.lso.missouri.edu/record=b9623129><img src='http://images.amazon.com/images/P/9780252037405.01.MZZZZZZZ.jpg' style='border-style: none'/></a><p><center><a href=http://www.amazon.com/exec/obidos/ASIN/9780252037405>View title at<br>Amazon.com</a></center>&nbsp;&nbsp;</p></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9623129>PN1995.9.A255 D38 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96231295/8/2013Killer tapes and shattered screens : video spectatorship from VHS to file sharing / Caetlin Benson-Allott. (5/8/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9623136>PN1995.9.T43 B46 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96231365/8/2013Media and social inequality : innovations in community structure research / edited by John C. Pollock. (5/8/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px'; valign='top'><a href=http://laurel.lso.missouri.edu/record=b9614409><img src='http://images.amazon.com/images/P/9780415631181.01.MZZZZZZZ.jpg' style='border-style: none'/></a><p><center><a href=http://www.amazon.com/exec/obidos/ASIN/9780415631181>View title at<br>Amazon.com</a></center>&nbsp;&nbsp;</p></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9614409>PN4749 .M42 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96144095/8/2013New queer cinema : the director's cut / B. Ruby Rich. (5/8/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9623147>PN1995.9.H55 R53 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96231475/8/2013Planning process drama : enriching teaching and learning / Pamela Bowell and Brian S. Heap. (5/8/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9543613>PN3171 .B635 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b95436135/8/2013Post-revolution nonfiction film : building the Soviet and Cuban nations / Joshua Malitsky. (5/8/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9623158>PN1995.9.D6 M329 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96231585/8/2013Psychocinematics : exploring cognition at the movies / edited by Arthur P. Shimamura. (5/8/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9623162>PN1995 .P775 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96231625/8/2013Queer Bergman : sexuality, gender, and the European art cinema / by Daniel Humphrey. (5/8/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9620055>PN1998.3.B47 H86 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96200555/8/2013Richard Barr : the playwright's producer / David A. Crespy with a foreword by Edward Albee. (5/8/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9618288>PN2287.B22 C84 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96182885/8/2013Romancing the East : a literary odyssey from the Heart of darkness to the River Kwai / Jerry Hopkins. (5/8/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px'; valign='top'><a href=http://laurel.lso.missouri.edu/record=b9623173><img src='http://images.amazon.com/images/P/9780804843201.01.MZZZZZZZ.jpg' style='border-style: none'/></a><p><center><a href=http://www.amazon.com/exec/obidos/ASIN/9780804843201>View title at<br>Amazon.com</a></center>&nbsp;&nbsp;</p></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9623173>PN3352.A84 H65 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96231735/8/2013Spider-man chronicle : celebrating 50 years of web-slinging / written by Alan Cowsill and Matthew K. Manning with a foreword by Stan Lee. (5/8/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px'; valign='top'><a href=http://laurel.lso.missouri.edu/record=b9611913><img src='http://images.amazon.com/images/P/0756692369.01.MZZZZZZZ.jpg' style='border-style: none'/></a><p><center><a href=http://www.amazon.com/exec/obidos/ASIN/0756692369>View title at<br>Amazon.com</a></center>&nbsp;&nbsp;</p></td><td> <h3 class="productDescriptionSource" >About the Author</h3> <div class="productDescriptionWrapper" > <p>Matthew Manning has written numerous comics for a variety of publishers, including Marvel and DC. His work has appeared in the pages of <i>The Batman Strikes!</i>, <i>Legion of Super-Heroes in the 31st Century</i>, <i>Justice League Adventures</i>, <i>Spider-Man Unlimited</i>, <i>Looney Tunes</i>, and <i>Marvel Romance Redux</i>. For DK, he has penned <i>Wolverine: Inside the World of the Living Weapon</i>, the updated versions of <i>Spider-Man: The Ultimate Guide</i> and <i>Hulk: The Incredible Guide</i>, the children's reader <i>Marvel Heroes: Greatest Battles</i>, and contributed to <i>Marvel Chronicle</i>. Manning currently resides in Brooklyn with his wife Dorothy, and a collection of comics much too large for any normal-size apartment.</p><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9611913>PN6728.3.M3 C687 2012</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96119135/8/2013The New York times reader : arts and culture / Don McLeese and the writers of The New York Times. (5/8/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b8342137>PN4784.A77 N49 2011</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b83421375/8/2013The orientation of future cinema : technology, aesthetics, spectacle / by Bruce Isaacs. (5/8/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9623151>PN1995.9.T43 I83 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96231515/8/2013Theodor Adorno and film theory : the fingerprint of the spirit / Brian Wall. (5/8/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9620071>PN1995 .W345 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96200715/8/2013Theorizing histories of rhetoric / edited by Michelle Ballif. (5/8/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9623187>PN183 .T48 2012</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96231875/8/2013Transnational Australian cinema : ethics in the Asian diasporas / Olivia Khoo, Belinda Smaill, and Audrey Yue. (5/8/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9623190>PN1993.5.A8 K46 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96231905/8/2013Travel narratives, the new science, and literary discourse, 1569-1750 / [edited by] Judy A. Hayden. (5/8/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9615240>PN56.T7 T69 2012</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96152405/8/2013WE3 : the deluxe edition / Grant Morrison, writer Frank Quitely, artist Jamie Grant, colorist and digital inker Todd Klein, letterer. (5/8/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9611958>PN6728.7.D3 M677 2011</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96119585/8/2013Cinema as weather : stylistic screens and atmospheric change / Kristi McKim. (5/1/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9616560>PN1995.9.W37 M35 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96165605/1/2013David Lynch swerves : uncertainty from Lost highway to Inland empire / by Martha P. Nochimson. (5/1/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9616569>PN1998.3.L96 N53 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96165695/1/2013Experimental Latin American cinema : history and aesthetics / by Cynthia Tompkins. (5/1/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9616575>PN1993.5.L3 T75 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96165755/1/2013Hollywood's New Yorker : the making of Martin Scorsese / Marc Raymond. (5/1/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9616591>PN1998.3.S39 R39 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96165915/1/2013Remaking Chinese cinema : through the prism of Shanghai, Hong Kong, and Hollywood / Yiman Wang. (5/1/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9616618>PN1993.5.C4 W278 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96166185/1/2013Rethinking Narrative Identity : Person and perspective / Edited by Claudia Holler, Humboldt University Berlin Martin Klepper, Humboldt University Berlin. (5/1/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9616619>PN3383.N35 .R46 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96166195/1/2013The heretical archive : digital memory at the end of film / Domietta Torlasco. (5/1/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9616587>PN1995 .T6145 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96165875/1/2013The Jewish Kulturbund theatre company in Nazi Berlin / Rebecca Rovit. (5/1/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9082701>PN3035 .R68 2012</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b90827015/1/2013The time of our lives : Dirty dancing and popular culture / edited by Yannis Tzioumakis and Siân Lincoln. (5/1/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9616632>PN1997.D4965 T56 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96166325/1/2013Twentieth Century-Fox: the Zanuck-Skouras years, 1935-1965 / by Peter Lev. (5/1/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9616640>PN1999.T8 L38 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96166405/1/2013Asking the right questions : a guide to critical thinking / M. Neil Browne, Stuart M. Keeley. (4/24/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px'; valign='top'><a href=http://laurel.lso.missouri.edu/record=b9629875><img src='http://images.amazon.com/images/P/0130891347.01.MZZZZZZZ.jpg' style='border-style: none'/></a><p><center><a href=http://www.amazon.com/exec/obidos/ASIN/0130891347>View title at<br>Amazon.com</a></center>&nbsp;&nbsp;</p></td><td> <h3 class="productDescriptionSource" >Review</h3> <div class="productDescriptionWrapper" > "I have assigned ASKING THE RIGHT QUESTIONS to a wide range of students in a wide range of courses over my fourteen years as a college professor. First-year college students have used the book to analyze and evaluate arguments about contemporary business issues. College juniors and seniors have used the book to analyze and evaluate legal arguments, and issues related to race and gender. ... Many of my students tell me the book has changed the way they read, write, and argue." - Andrea Giampetro-Meyer, J.D., Loyola College in Maryland "I think ASKING THE RIGHT QUESTIONS is one of the most valuable resources currently available for higher education courses as well as for other contexts... Virtually any course could benefit from the addition of this book and the integration of the authors' approach to critical thinking. I myself have used the book for several years in a variety of courses and know that it has truly enhanced my students' rational thinking processes." - Norrine L. Ostrowski, Ph.D., University of Minnesota-Morris "As an instructor I like the approach ASKING THE RIGHT QUESTIONS takes. It is practical and uses a cross-disciplinary approach. Asking the "right" questions is a technique that can be used in any discipline at any level."- Valeri Farmer-Dougan, Illinois State University<br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9629875>PN83 .B785 2001</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96298754/24/2013Beyond the screenplay : a dialectical approach to dramaturgy / Zachariah Rush. (4/24/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px'; valign='top'><a href=http://laurel.lso.missouri.edu/record=b9605834><img src='http://images.amazon.com/images/P/9780786466030.01.MZZZZZZZ.jpg' style='border-style: none'/></a><p><center><a href=http://www.amazon.com/exec/obidos/ASIN/9780786466030>View title at<br>Amazon.com</a></center>&nbsp;&nbsp;</p></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9605834>PN1661 .R875 2012</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96058344/24/2013Identity, performance and technology : practices of empowerment, embodiment and technicity / edited by Susan Broadhurst and Josephine Machon. (4/24/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px'; valign='top'><a href=http://laurel.lso.missouri.edu/record=b9620004><img src='http://images.amazon.com/images/P/0230298885.01.MZZZZZZZ.jpg' style='border-style: none'/></a><p><center><a href=http://www.amazon.com/exec/obidos/ASIN/0230298885>View title at<br>Amazon.com</a></center>&nbsp;&nbsp;</p></td><td> <h3 class="productDescriptionSource" >About the Author</h3> <div class="productDescriptionWrapper" > SUE BROADHURST is Professor of Performance and Technology within the School of Arts at Brunel University, West London, UK. She is the author of <EM>Liminal Acts: A Critical Overview of Contemporary Performance and Theory</EM> (1999) and <EM>Digital Practices: Aesthetic and Neuroesthetic Approaches to Performance and Technology</EM> (2007), co- editor of <EM>Performance and Technology: Practices of Virtual Embodiment and Interactivity</EM> (2006) and <EM>Sensualities/Textualities and Technologies: Writings of the Body in 21st Century Performance</EM> and of the online journal <EM>Body, Space and Technology</EM>. Susan is currently working on a series of collaborative practice-based research projects entitled 'Intelligence, Interaction, Reaction and Performance', which involve introducing various interactive digital technologies into live performance.<BR>JOSEPHINE MACHON is a writer/practitioner in contemporary performance and a Lecturer in Theatre at Brunel University, UK. For Palgrave Macmillan she has published <EM>(Syn)aesthetics: Redefining Visceral Performance</EM> (2009, 2011) and co-edited <EM>Performance and Technology: Practices of Virtual Embodiment and Interactivity</EM> (2006) and <EM>Sensualities/Textualities and Technologies: Writings of the Body in 21st Century Performance</EM> (2010) with Susan Broadhurst. Josephine and Susan are the editors of the recently commissioned Palgave Macmillan Series in Performance and Technology. Josephine's current practice-based collaborations explore performance as a medium for research into human relationships with the environment.<br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9620004>PN1584 .I34 2012</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96200044/24/2013Independent Chinese documentary : from the studio to the street / Luke Robinson. (4/24/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9616285>PN1995.9.D6 R63 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96162854/24/2013International bohemia / Daniel Cottom. (4/24/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px'; valign='top'><a href=http://laurel.lso.missouri.edu/record=b9602369><img src='http://images.amazon.com/images/P/9780812244885.01.MZZZZZZZ.jpg' style='border-style: none'/></a><p><center><a href=http://www.amazon.com/exec/obidos/ASIN/9780812244885>View title at<br>Amazon.com</a></center>&nbsp;&nbsp;</p></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9602369>PN56.B63 C68 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96023694/24/2013Modern voice : working with actors on contemporary text / Catherine Weate. (4/24/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9390829>PN2061 .W43 2012</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b93908294/24/2013Moneywood : Hollywood in its last age of excess / by William Stadiem. (4/24/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px'; valign='top'><a href=http://laurel.lso.missouri.edu/record=b9616300><img src='http://images.amazon.com/images/P/0312656890.01.MZZZZZZZ.jpg' style='border-style: none'/></a><p><center><a href=http://www.amazon.com/exec/obidos/ASIN/0312656890>View title at<br>Amazon.com</a></center>&nbsp;&nbsp;</p></td><td> <h3 class="productDescriptionSource" >About the Author</h3> <div class="productDescriptionWrapper" > <P>WILLIAM STADIEM is the author of eight books, including the bestselling <I>Marilyn Monroe Confidential; Dear Senator; </I>&#160;and <I>Mister S: My Life with Frank Sinatra</I>.&#160; A Harvard JD-MBA, he abandoned Wall Street for Sunset Boulevard, where as the screenwriter for Franco Zeffirelli&#8217;s <I>Young Toscanini</I>, he wrote one of the biggest flops of the 80s.&#160; As a screenwriter, a columnist for Andy Warhol&#8217;s <I>Interview</I>, and the restaurant critic for <I>Los Angeles</I>, Stadiem has enjoyed a ringside seat for the decadence and outrageousness he recounts in <I>Moneywood</I>.&#160; He lives in Santa Monica, California.<br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9616300>PN1993.5.U65 S73</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96163004/24/2013Neoliberalism and global theatres : performance permutations / edited by Lara D. Nielsen and Patricia Ybarra. (4/24/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px'; valign='top'><a href=http://laurel.lso.missouri.edu/record=b9387462><img src='http://images.amazon.com/images/P/0230278310.01.MZZZZZZZ.jpg' style='border-style: none'/></a><p><center><a href=http://www.amazon.com/exec/obidos/ASIN/0230278310>View title at<br>Amazon.com</a></center>&nbsp;&nbsp;</p></td><td> <h3 class="productDescriptionSource" >About the Author</h3> <div class="productDescriptionWrapper" > LARA D. NEILSEN is assistant professor in Theatre and Dance at Macalester College, USA, where she teaches Theatre and Performance Studies. She has published articles and reviews in Performance Research, Women & Performance, Contemporary Theatre Review, Theatre Journal, Journal of Dramatic Theory & Criticism, TDR, Law Culture, and the Humanities, and e-misferica. <BR><br><BR>PATRICIA YBARRA is associate professor of Theatre Arts and Performance Studies at Brown University, USA. She is the author of Performing Conquest (Michigan, 2009). She has published articles and reviews in Theatre Journal, Radical History Review, Aztlan, Latin American Theatre Review and the Journal of Dramatic Theory and Criticism.<br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9387462>PN2049 .N35 2012</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b93874624/24/2013Performance and the politics of space : theatre and topology / [edited by] Erika Fischer-Lichte and Benjamin Wihstutz (4/24/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px'; valign='top'><a href=http://laurel.lso.missouri.edu/record=b9434217><img src='http://images.amazon.com/images/P/9780415509688.01.MZZZZZZZ.jpg' style='border-style: none'/></a><p><center><a href=http://www.amazon.com/exec/obidos/ASIN/9780415509688>View title at<br>Amazon.com</a></center>&nbsp;&nbsp;</p></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9434217>PN2039 .P395 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b94342174/24/2013Projecting tomorrow : science fiction and popular cinema / James Chapman & Nicholas J. Cull. (4/24/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9616307>PN1995.9.S26 C43 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96163074/24/2013Satyajit Ray on cinema / Satyajit Ray edited by Sandip Ray in association with Dhritiman Chaterji, Arup K. De, Deepak Mukerjee, and Debasis Mukhopadhyay foreword by Shyam Benegal. (4/24/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9616313>PN1998.3.R4 A3 2011</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96163134/24/2013Seeing red : Hollywood's pixeled skins : American Indians and film / edited by LeAnne Howe, Harvey Markowitz, and Denise K. Cummings. (4/24/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px'; valign='top'><a href=http://laurel.lso.missouri.edu/record=b9616316><img src='http://images.amazon.com/images/P/1611860814.01.MZZZZZZZ.jpg' style='border-style: none'/></a><p><center><a href=http://www.amazon.com/exec/obidos/ASIN/1611860814>View title at<br>Amazon.com</a></center>&nbsp;&nbsp;</p></td><td> <h3 class="productDescriptionSource" >About the Author</h3> <div class="productDescriptionWrapper" > <P>Denise K. Cummings is Associate Professor of Critical Media and Cultural Studies at Rollins College, where she teaches film history, theory, and criticism, critical media and cultural studies, and American and Indigenous literature, culture, and film.</P><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9616316>PN1995.9.I48 S44 2012</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96163164/24/2013The Cambridge companion to African American theatre / edited by Harvey Young. (4/24/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px'; valign='top'><a href=http://laurel.lso.missouri.edu/record=b9623051><img src='http://images.amazon.com/images/P/9781107017122.01.MZZZZZZZ.jpg' style='border-style: none'/></a><p><center><a href=http://www.amazon.com/exec/obidos/ASIN/9781107017122>View title at<br>Amazon.com</a></center>&nbsp;&nbsp;</p></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9623051>PN2270.A35 C36 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96230514/24/2013The Cambridge companion to theatre history / edited by David Wiles and Christine Dymkowski. (4/24/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px'; valign='top'><a href=http://laurel.lso.missouri.edu/record=b9547596><img src='http://images.amazon.com/images/P/0521149835.01.MZZZZZZZ.jpg' style='border-style: none'/></a><p><center><a href=http://www.amazon.com/exec/obidos/ASIN/0521149835>View title at<br>Amazon.com</a></center>&nbsp;&nbsp;</p></td><td> <h3 class="productDescriptionSource" >Book Description</h3> <div class="productDescriptionWrapper" > This Companion offers students and general readers a lively set of essays on the why, when, where, what and how of writing theatre history. It considers how history is told, from whose point of view in our globalised world and what boundaries we might place around the notion of theatre.<br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9547596>PN2101 .C36 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b95475964/24/2013The searchers : the making of an American legend / Glenn Frankel. (4/24/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9616314>PN1997.S3197 F83 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96163144/24/2013Contemporary Caribbean writing and Deleuze : literature between postcolonialism and post-continental philosophy / Lorna Burns. (4/17/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px'; valign='top'><a href=http://laurel.lso.missouri.edu/record=b9605502><img src='http://images.amazon.com/images/P/1441116435.01.MZZZZZZZ.jpg' style='border-style: none'/></a><p><center><a href=http://www.amazon.com/exec/obidos/ASIN/1441116435>View title at<br>Amazon.com</a></center>&nbsp;&nbsp;</p></td><td> <h3 class="productDescriptionSource" >About the Author</h3> <div class="productDescriptionWrapper" > Lorna Burns is a Lecturer in English Literature at the University of Lincoln, UK.<br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9605502>PN849.C3 B87 2012</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96055024/17/2013Eric Rohmer : interviews / edited by Fiona Handyside. (4/17/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9545808>PN1998.3.R64 A3 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b95458084/17/2013Here be dragons : exploring fantasy maps and settings / Stefan Ekman. (4/17/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9602361>PN3435 .E38 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96023614/17/2013Hollywood before glamour : fashion in American silent film / Michelle Tolini Finamore. (4/17/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9602365>PN1995.9.C56 F58 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96023654/17/2013How authors' minds make stories / Patrick Colm Hogan, University of Connecticut. (4/17/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9605535>PN171.P83 H64 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96055354/17/2013Modern rhetoric in culture, arts, and media : 13 essays / by Joachim Knape. (4/17/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px'; valign='top'><a href=http://laurel.lso.missouri.edu/record=b9605556><img src='http://images.amazon.com/images/P/9783110292459.01.MZZZZZZZ.jpg' style='border-style: none'/></a><p><center><a href=http://www.amazon.com/exec/obidos/ASIN/9783110292459>View title at<br>Amazon.com</a></center>&nbsp;&nbsp;</p></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9605556>PN175 .K63 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96055564/17/2013Modernism's second act : a cultural narrative / Ira Nadel. (4/17/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9552714>PN56.M54 N33 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b95527144/17/2013On writing with photography / Karen Beckman and Liliane Weissberg, editors. (4/17/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9602392>PN56.P46 O6 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96023924/17/2013Precocious charms : stars performing girlhood in classical Hollywood cinema / Gaylyn Studlar. (4/17/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9602403>PN1995.9.G57 S65 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96024034/17/2013Prosaic conditions : Heinrich Heine and the spaces of Zionist literature / Na'ama Rokem. (4/17/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px'; valign='top'><a href=http://laurel.lso.missouri.edu/record=b9605576><img src='http://images.amazon.com/images/P/9780810128675.01.MZZZZZZZ.jpg' style='border-style: none'/></a><p><center><a href=http://www.amazon.com/exec/obidos/ASIN/9780810128675>View title at<br>Amazon.com</a></center>&nbsp;&nbsp;</p></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9605576>PN842 .R65 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96055764/17/2013Screening Love And Sex In The Ancient World / Edited by Monica S. Cyrino. (4/17/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px'; valign='top'><a href=http://laurel.lso.missouri.edu/record=b9552743><img src='http://images.amazon.com/images/P/1137299592.01.MZZZZZZZ.jpg' style='border-style: none'/></a><p><center><a href=http://www.amazon.com/exec/obidos/ASIN/1137299592>View title at<br>Amazon.com</a></center>&nbsp;&nbsp;</p></td><td> <h3 class="productDescriptionSource" >Review</h3> <div class="productDescriptionWrapper" > <P>"For Screening Love and Sex in the Ancient World Monica S. Cyrino has assembled an impressive cast out of academia's galaxy of A-list stars and promising young starlets: all of them write with flair, clarity and, above all, passion for their chosen subjects. And what subjects they are! Hesiod and Homer rub shoulders with Pocahontas and Colin Farrell. Here you'll find a veritable bacchanal of banquets, blood-sports, nymphomaniacs, muscle-men, belly-dancers, and sexual perversions galore &#8211; the stuff that has made generations of cinema and television producers, directors, and designers turn to antiquity for inspiration. This is a bold and dazzling collection of cutting-edge scholarship and a major contribution to the current state of play in reception studies; it cannot afford to be missed by anyone with an interest in the transmission of antiquity into modern culture." - Lloyd Llewellyn-Jones, author of Designs on the Past: How Hollywood Created the Ancient World, Senior Lecturer in Ancient History, University of Edinburgh, Scotland</P><P><B>"For a century and more, the ancient world has been the film-makers' favorite playground for sex and passion on an epic scale - but when we glut ourselves on its orgies ('Bring on the dancing girls!'), what are we really looking at? Monica S. Cyrino has put together an accessible and lively collection of essays which collectively re-energize 'film philology' and take it into new territories, tracing the cinematic uses of ancient literature, myth, and history - all the while recognizing that once love and sex are in play, the borders between these traditional categories are quick to crumble. Whether tackling classical resonances in pulp noir or the complex Nachleben of Cleopatra's snake bra, unpacking Odyssean echoes in period drama or discovering a Sapphic Pocahontas, her contributors - a mix of up-and-coming stars and experienced performers - deliver excitement and detail in equal measure." - Gideon Nisbet, Lecturer, Classics, University of Birmingham, UK and Author of Ancient Greece in Film and Popular Culture</P><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9552743>PN1995.9.S45 S37 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b95527434/17/2013Semiotics of exile in contemporary Chinese film / Hong Zeng. (4/17/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9602423>PN1995.9.E44 Z46 2012</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96024234/17/2013Sherlock Holmes for the 21st century : essays on new adaptations / edited by Lynnette Porter. (4/17/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px'; valign='top'><a href=http://laurel.lso.missouri.edu/record=b9546009><img src='http://images.amazon.com/images/P/0786468408.01.MZZZZZZZ.jpg' style='border-style: none'/></a><p><center><a href=http://www.amazon.com/exec/obidos/ASIN/0786468408>View title at<br>Amazon.com</a></center>&nbsp;&nbsp;</p></td><td> <h3 class="productDescriptionSource" >About the Author</h3> <div class="productDescriptionWrapper" > Lynnette Porter teaches in the Humanities and Social Sciences Department of Embry-Riddle Aeronautical University in Daytona Beach, Florida. She has written several books about television and film.<br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9546009>PN1995.9.S5 S54 2012</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b95460094/17/2013Sound intentions : the workings of rhyme in nineteenth-century poetry / Peter McDonald. (4/17/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9552747>PN1059.R5 .M39 2012</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b95527474/17/2013Spanish queer cinema / Chris Perriam. (4/17/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9552748>PN1995.9.H55 P47 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b95527484/17/2013The aesthetics of shadow : lighting and Japanese cinema / Daisuke Miyao. (4/17/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px'; valign='top'><a href=http://laurel.lso.missouri.edu/record=b9602323><img src='http://images.amazon.com/images/P/0822354225.01.MZZZZZZZ.jpg' style='border-style: none'/></a><p><center><a href=http://www.amazon.com/exec/obidos/ASIN/0822354225>View title at<br>Amazon.com</a></center>&nbsp;&nbsp;</p></td><td> <h3 class="productDescriptionSource" >Review</h3> <div class="productDescriptionWrapper" > &quot;<I>The Aesthetics of Shadow</I> is sophisticated and superbly researched, breaking new ground with the richness of its historical detail. Daisuke Miyao's innovative approach opens up the field beyond the usual focus on genre, stars, and key authors. It will serve as an example for the writing of histories outside of Japanese cinema.&quot;&mdash;<B>Frances Guerin</B>, author of <I>A Culture of Light: Cinema and Technology in 1920s Germany</I><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9602323>PN1993.5.J3 M56 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96023234/17/2013The avant-garde imperative : the visionary quest for a new language / Willard Bohn. (4/17/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px'; valign='top'><a href=http://laurel.lso.missouri.edu/record=b9602333><img src='http://images.amazon.com/images/P/160497835X.01.MZZZZZZZ.jpg' style='border-style: none'/></a><p><center><a href=http://www.amazon.com/exec/obidos/ASIN/160497835X>View title at<br>Amazon.com</a></center>&nbsp;&nbsp;</p></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9602333>PN771 .B64 2012</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96023334/17/2013The cinema and its shadow : race and technology in early cinema / Alice Maurice. (4/17/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9605500>PN1995.9.M56 M38 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96055004/17/2013The films of Martin Scorsese, 1978-99 : authorship and context II / Leighton Grist, University of Winchester, UK. (4/17/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9602359>PN1998.3.S39 G76 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96023594/17/2013The second view : Alfred Hitchcock Die Vögel/The birds, Blake Edwards Der Partyschreck/The party, Ridley Scott Blade Runner, Stefan Ruzowitzky Anatomie/Anatomy, Ridley Scott Gladiator. (4/17/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9602450>PN1995 .K5 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96024504/17/2013Time of grief : mourning poems / edited by Jeffrey Yang. (4/17/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9602437>PN6110.D4 T56 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96024374/17/2013Transnational stardom : international celebrity in film and popular culture / edited by Russell Meeuf and Raphael Raphael. (4/17/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9602440>PN1998.2 .T685 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96024404/17/2013Women and Turkish cinema : gender politics, cultural identity and representation / Eylem Atakav. (4/17/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9605604>PN1995.9.W6 A85 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96056044/17/2013Crime, history, and Hollywood : learning criminal justice history through major motion pictures / Willard M. Oliver and Nancy E. Marion. (4/10/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px'; valign='top'><a href=http://laurel.lso.missouri.edu/record=b9602346><img src='http://images.amazon.com/images/P/9781594609756.01.MZZZZZZZ.jpg' style='border-style: none'/></a><p><center><a href=http://www.amazon.com/exec/obidos/ASIN/9781594609756>View title at<br>Amazon.com</a></center>&nbsp;&nbsp;</p></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9602346>PN1995.2 .O45 2012</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96023464/10/2013Deadline artists : scandals, tragedies, and triumphs : more of America's greatest newspaper columns / edited by John Avlon, Jesse Angelo & Errol Louis. (4/10/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9525512>PN4726 .D44 2012</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b95255124/10/2013Narrative, interrupted : the plotless, the disturbing and the trivial in literature / edited by Markku Lehtimäki, Laura Karttunen, Maria Mäkelä. (4/10/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9602384>PN212 .N3765 2012</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96023844/10/2013Not Hollywood : independent film at the twilight of the American dream / Sherry B. Ortner. (4/10/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9602391>PN1993.5.U6 O76 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96023914/10/2013Censorium : cinema and the open edge of mass publicity / William Mazzarella. (4/3/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9552680>PN1995.65.I4 M39 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b95526804/3/2013El texto medieval : de la edición a la interpretación / edición al cuidado de Pilar Lorenzo Gradín, Simone Marcenaro. (4/3/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9602954>PN678 .T48 2012</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b96029544/3/2013Euro horror : classic European horror cinema in contemporary American culture / Ian Olney. (4/3/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9552692>PN1995.9.H6 O46 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b95526924/3/2013I do and I don't : a history of marriage in the movies / Jeanine Basinger. (4/3/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9549025>PN1995.9.M3 B37 2012</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b95490254/3/2013Textual imitation : making and seeing in literature / Jonathan Hart. (4/3/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9552754>PN81 .H37 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b95527544/3/2013Todd Haynes / Rob White. (4/3/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9552756>PN1998.3.H385 W45 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b95527564/3/2013Vertigo / edited by Katalin Makkai. (4/3/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9552764>PN1997.V479 V47 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b95527644/3/2013Weakness : a literary and philosophical history / Michael O'Sullivan. (4/3/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9552767>PN51 .O87 2012</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b95527674/3/2013A companion to Spanish cinema / edited by Jo Labanyi and Tatjana Pavlović. (3/27/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px'; valign='top'><a href=http://laurel.lso.missouri.edu/record=b9548993><img src='http://images.amazon.com/images/P/1405194383.01.MZZZZZZZ.jpg' style='border-style: none'/></a><p><center><a href=http://www.amazon.com/exec/obidos/ASIN/1405194383>View title at<br>Amazon.com</a></center>&nbsp;&nbsp;</p></td><td> <h3 class="productDescriptionSource" >Review</h3> <div class="productDescriptionWrapper" > <p>&ldquo;This comprehensive collection contains contributions from many of the most brilliant scholars currently writing on Spanish cinema.&nbsp; Although the topics are familiar, the treatments are innovative and bold.&rdquo;<br />- <i>Marsha Kinder, Author of</i> Blood Cinema and Refiguring Spain</p><p>&ldquo;From major auteurs to minor genres, and from conditions of production and distribution to wider national and transnational contexts, this book gives a comprehensive account of Spanish cinema.&rdquo;<br />- <i>Steven Shaviro, DeRoy Professor of English, Wayne State University</i></p><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9548993>PN1993.5.S7 C6595 2012</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b95489933/27/2013A companion to the historical film / Robert A. Rosenstone, Constantin Parvulesu. (3/27/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9548994>PN1995.9.H5 R67 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b95489943/27/2013Airbrushed nation : the lure & loathing of women's magazines / Jennifer Nelson. (3/27/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9415691>PN4879 .N47 2012</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b94156913/27/2013Audiences : defining and researching screen entertainment reception / edited by Ian Christie. (3/27/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px'; valign='top'><a href=http://laurel.lso.missouri.edu/record=b9548980><img src='http://images.amazon.com/images/P/9089643621.01.MZZZZZZZ.jpg' style='border-style: none'/></a><p><center><a href=http://www.amazon.com/exec/obidos/ASIN/9089643621>View title at<br>Amazon.com</a></center>&nbsp;&nbsp;</p></td><td> <h3 class="productDescriptionSource" >Review</h3> <div class="productDescriptionWrapper" > A book on spectator, today, is a challenge - if not a provocation. Cinema is relocating on new devices and in new environments: in its migration, it asks us to change our habits and our attitudes. Are we still spectators - or are we users, surfers, nostalgic buffs, technology experts, hackers and face-book friends? This book provides a deep insight in such a controversial situation, both at the theoretical and empirical level - retracing a history and facing a destiny. Francesco Casetti, Yale University This excellent book grows out of two networks of cinema and media scholars: members of the Netherlands-France-United Kingdom project that inspired the series of studies called The Key Debates and Dormitor, the international organisation promoting research on early cinema. It ties together studies of European and American cinema-going with Ranita Chatterjee's pioneering research into audiences in Calcutta, India. A particular strength of the book is its chronological reach, stretching from Nicholas Hiley's work on early British film audiences, Judith Thissen's revisiting of the famous 'who went to the nickelodeons' debate and Gregory Waller's analysis of 'non-theatrical' American audiences in the mid-1910s to the explorations of new platforms for film in the digital age by Laurent Jullier/Jean-Marc Leveratto and Roger Odin. In the early days of film, as editor Ian Christie points out in an excellent introduction, there was a variety of 'screen entertainment' before the feature film came to dominate the market. In recent years, as cinemas become increasingly digitised, that variety of entertainment is beginning to reappear, as audiences go to watch live opera, theatre and other forms of entertainment. The book illustrates very well the range of approaches to researching cinema-going that have emerged during the 'audience turn' of the last fifteen years. There are chapters on the 'imagined audience' by Frank Kessler (looking at how the manner in which Melies constructed his audiences influenced his film-making); on the economic and statistical audience (John Sedgwick/Clara Pafort-Overduin analysing audiences in London and Amsterdam in the mid-1930s) and the individual spectator (Torben Grodal on the psychological sources of the impact of certain films on viewers). Ranging broadly in chronological terms, and genuinely interdisciplinary in the approach of contributors, Christie's book is a thoughtful and worthy addition to the growing field of studies of screen audiences. Melvyn Stokes University College London<br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9548980>PN1995.9.A8 A932 2012</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b95489803/27/2013Basic Instinct / Stevie Simkin. (3/27/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9548981>PN1997.B3567 S56 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b95489813/27/2013Beware of limbo dancers : a correspondent's adventures with the New York Times / Roy Reed. (3/27/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px'; valign='top'><a href=http://laurel.lso.missouri.edu/record=b9309837><img src='http://images.amazon.com/images/P/1557289883.01.MZZZZZZZ.jpg' style='border-style: none'/></a><p><center><a href=http://www.amazon.com/exec/obidos/ASIN/1557289883>View title at<br>Amazon.com</a></center>&nbsp;&nbsp;</p></td><td> <h3 class="productDescriptionSource" >Review</h3> <div class="productDescriptionWrapper" > "Retired New York Times reporter Reed (Faubus: The Life and Times of an American Prodigal, 1997, etc.), born in 1930, recounts his journey through a range of controversial stories. He briefly discusses his Arkansas childhood, his education at the University of Missouri Journalism School and his journey from small-town reporting to the Times. Although he thought he understood the Southern mentality on race, Reed learned that the relatively mild racism of his childhood did not compare to the more virulent brand in the Deep South, including Mississippi, Alabama and Georgia. Rather than letting his personal beliefs guide his reporting, Reed disciplined himself to get along with everybody as much as possible; publishing an important, clear story trumped individual glory for journalistic scoops. In addition to reporting about race in the South, Reed served as a London correspondent for the Times, as well as a Washington, D.C., correspondent--a position that often seemed more disorienting that an overseas posting. During the full term of Lyndon Johnson, Reed covered White House politics intensely. When Hubert Humphrey, Johnson's vice president, tried to replace his boss in the White House, Reed wrote about the 1968 presidential campaign almost every day. When Republican Richard Nixon prevailed, the author had to become accustomed to dealing professionally with a president quite different from the Democratic candidate. A compelling tour of a journalist's life from an intelligent, charming guide."<br><br>--Kirkus Reviews, Aug. 2012<br /><br />"Roy Reed's prose delivers our most turbulent years in the civil rights movement with a ringing clarity. His memoir is a tapestry of anecdote, personal observation, characterization, major event, and constant insight as we ride along with this New York Times reporter through some of our nation's darkest history."<br><br>--William Harrison, author of Rollerball<br><br><br /><br />"Roy was one of our best writers at the Arkansas Gazette, and with this book he once again gives us a fine piece of writing."<br><br>--Charles Portis, author of True Grit<br /><br />"Roy Reed's latest book is a gem and cements his position as one of the South's most important writers of nonfiction. It meanders gracefully and brilliantly through some of twentieth-century America's most significant events."<br><br>--Gene Roberts, Pulitzer Prize-winning coauthor of The Race Beat: The Press, the Civil Rights Struggle, and the Awakening of a Nation<br><br><br /><br />"Reporting keeps lively for a long time when it's this good, this seasoned, this much from the thick of things, and this funny."<br><br>--Roy Blount Jr., author of Alphabetter Juice<br /><br />"Roy Reed is a dream reporter--great eye, great ear, great sense of humor, and an innate love of the language that was matched by his abiding appreciation of mankind's shared foibles. When he retired from the New York Times, he took a large slice of its soul with him. Now he has written a dream of a memoir, reminding us of how joyful it can be to ply the journalist's trade and why it matters to do it well."<br><br>--Hodding Carter, former editor of the Delta Democrat-Times<br><br><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9309837>PN4874.R3585 A3 2012</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b93098373/27/2013Genre, gender and the effects of neoliberalism : the new millennium Hollywood rom com / Betty Kaklamanidou. (3/27/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9549015>PN1995.9.C55 K35 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b95490153/27/2013Imprison'd wranglers : the rhetorical culture of the House of Commons, 1760-1800 / Christopher Reid. (3/27/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9545821>PN4193.P6 R45 2012</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b95458213/27/2013Journalism across boundaries : the promises and challenges of transnational and transborder journalism / Kevin Grieves. (3/27/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9460122>PN5110 .G75 2012</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b94601223/27/2013Media commercialization and authoritarian rule in China / Daniela Stockmann. (3/27/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9525693>PN4748.C5 S76 2012</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b95256933/27/2013Native Americans on film : conversations, teaching, and theory / edited by M. Elise Marubbio and Eric L. Buffalohead. (3/27/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9545841>PN1995.9.I48 N38 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b95458413/27/2013Objectivity in journalism / Steven Maras. (3/27/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9543588>PN4784.O24 M37 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b95435883/27/2013Secret commissions : an anthology of Victorian investigative journalism / edited by Stephen Donovan and Matthew Rubery. (3/27/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9166904>PN4726 .S43 2012</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b91669043/27/2013Unconscious branding : how neuroscience can empower (and inspire) marketing / Douglas Van Praet. (3/27/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9445312>PN4879 .N47 2012</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b94453123/27/2013Video journalism : beyond the one-man band / Mary Angela Bock. (3/27/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9384477>PN4784.V54 B63 2012</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b93844773/27/2013Walter Lippmann : a critical introduction to media and communication theory / Sue Curry Jansen. (3/27/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px'; valign='top'><a href=http://laurel.lso.missouri.edu/record=b9393409><img src='http://images.amazon.com/images/P/9781433111365.01.MZZZZZZZ.jpg' style='border-style: none'/></a><p><center><a href=http://www.amazon.com/exec/obidos/ASIN/9781433111365>View title at<br>Amazon.com</a></center>&nbsp;&nbsp;</p></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9393409>PN4874.L45 J36 2012</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b93934093/27/2013Women of the Washington press : politics, prejudice, and persistence / Maurine H. Beasley foreword by Sandy Johnson. (3/27/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9390576>PN4888.W65 B46 2012</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b93905763/27/2013Canadian cinema since the 1980s : at the heart of the world / David L. Pike. (3/20/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px'; valign='top'><a href=http://laurel.lso.missouri.edu/record=b9520066><img src='http://images.amazon.com/images/P/9781442643994.01.MZZZZZZZ.jpg' style='border-style: none'/></a><p><center><a href=http://www.amazon.com/exec/obidos/ASIN/9781442643994>View title at<br>Amazon.com</a></center>&nbsp;&nbsp;</p></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9520066>PN1993.5 C3 P49 2012</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b95200663/20/2013Chapel of gore and psychosis : the Grand Guignol Theatre / by Jack Hunter [translations by R.J. Dent]. (3/20/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9446415>PN2636.P4 H87 2012</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b94464153/20/2013Directing plays, directing people : a collaborative art / by Mary B. Robinson. (3/20/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px'; valign='top'><a href=http://laurel.lso.missouri.edu/record=b9390699><img src='http://images.amazon.com/images/P/157525784X.01.MZZZZZZZ.jpg' style='border-style: none'/></a><p><center><a href=http://www.amazon.com/exec/obidos/ASIN/157525784X>View title at<br>Amazon.com</a></center>&nbsp;&nbsp;</p></td><td> <h3 class="productDescriptionSource" >Review</h3> <div class="productDescriptionWrapper" > Mary Robinson has taken her years on the boards and in the classroom and made a noteworthy contribution to books on stagecraft. &#34;Directing Plays, Directing People&#34; is more than a pithy nuts-and-bolts manual on directing, it is also a frank and entertaining memoir of a life in the theater. --- Donald Margulies, Pulitzer Prize-winning playwright<br /><br />This is an incredibly smart, clear, accessible and comprehensive look into a director's process that feels more like an empowering conversation than a how-to book on directing. I felt welcomed into a very frank and down-to-earth discussion with Mary and her various collaborators. She is able to both demystify the art of directing while inspiring theater artists of all levels of experience. Anyone interested in making theater should read this...not just directors. --- Anne Kauffman, OBIE Award-winning director.<br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9390699>PN2053 .R58 2012</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b93906993/20/2013Directors close up 2 : interviews with directors nominated for best film by the Directors Guild of America 2006-1012 / moderated and edited by Jeremy Kagan. (3/20/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9532482>PN1995.9.P7 D543 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b95324823/20/2013Drama lessons : ages 7-11 / by Judith Ackroyd and Jo Barter-Boulton. (3/20/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9309789>PN1701 .A35 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b93097893/20/2013Fictions of autonomy : modernism from Wilde to de Man / Andrew Goldstone. (3/20/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9544356>PN771 .G65 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b95443563/20/2013Filmspeak : how to understand literary theory by watching movies / Edward L. Tomarken. (3/20/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9526235>PN1995.3 .T66 2012</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b95262353/20/2013Foreign devils : exile and host nation in Hollywood's golden age / Gábor Gergely. (3/20/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9545811>PN1995.9.M56 G47 2012</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b95458113/20/2013Hollywood stardom / Paul McDonald. (3/20/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9545819>PN1993.5.U6 M314 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b95458193/20/2013Imagined topographies : from colonial resource to postcolonial homeland / Jonathan Bishop Highfield. (3/20/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9545820>PN56.L26 H54 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b95458203/20/2013Principles of American journalism : an introduction / Stephanie Craft, Charles N. Davis. (3/20/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9545910>PN4855 .C84 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b95459103/20/2013Race, racism and sports journalism / Neil Farrington ... [et al.]. (3/20/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9548754>PN5124.S65 R33 2012</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b95487543/20/2013Race-baiter : how the media wields dangerous words to divide a nation / Eric Deggans. (3/20/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9435601>PN4888.S6 D44 2012</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b94356013/20/2013Scoop : the evolution of a southern reporter / Jack Nelson edited by Barbara Matusow introduction by Hank Klibanoff epilogue by Richard T. Cooper. (3/20/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9529480>PN4874.N293 A3 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b95294803/20/2013Teaching classroom drama and theatre : practical projects for secondary schools / Martin Lewis and John Rainer. (3/20/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px'; valign='top'><a href=http://laurel.lso.missouri.edu/record=b9082675><img src='http://images.amazon.com/images/P/0415665299.01.MZZZZZZZ.jpg' style='border-style: none'/></a><p><center><a href=http://www.amazon.com/exec/obidos/ASIN/0415665299>View title at<br>Amazon.com</a></center>&nbsp;&nbsp;</p></td><td> <h3 class="productDescriptionSource" >Review</h3> <div class="productDescriptionWrapper" > 'Martin Lewis and John Rainer's book is an effective, practical set of projects for teachers suitable for key stage 3/4. This step-by-step guide successfully develops students' understanding of theatrical forms and processes through the "practical classroom tradition of drama teaching"... It offers a wealth of material, which has the potential to engage pupils with a range of abilities ... This publication will prove invaluable in any drama classroom.' - Karen Wilson, TES 'Throughout the book the tone is instructional, although readers are encouraged to adapt the units of work for their own use. The work is detailed and thorough ... This book is full of promise, and will no doubt provide teachers of drama with food for thought.' - English Drama Media, The Professional Journal of the National Association for the Teaching of English<br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9082675>PN2075 .L48 2012</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b90826753/20/2013Teaching with fire : poetry that sustains the courage to teach / Sam M. Intrator and Megan Scribner, editors introduction by Parker J. Palmer and Tom Vander Ark. (3/20/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px'; valign='top'><a href=http://laurel.lso.missouri.edu/record=b9529189><img src='http://images.amazon.com/images/P/0787969702.01.MZZZZZZZ.jpg' style='border-style: none'/></a><p><center><a href=http://www.amazon.com/exec/obidos/ASIN/0787969702>View title at<br>Amazon.com</a></center>&nbsp;&nbsp;</p></td><td> <h3 class="productDescriptionSource" >Review</h3> <div class="productDescriptionWrapper" > "Teaching with Fire is a glorious collection of the poetry that has restored the faith of teachers in the highest, most transcendent values of their work with children...Those who want us to believe that teaching is a technocratic and robotic skill devoid of art or joy or beauty need to read this powerful collection. So, for that matter, do we all." - Jonathan Kozol, author of Amazing Grace and Savage Inequalities "When reasoned argument fails, poetry helps us make sense of life. A few well-chosen images, the spinning together of words creates a way of seeing where we came from and lights up possibilities for where we might be going...Dip in, read, and ponder; share with others. It's inspiration in the very best sense." - Deborah Meier, co-principal of The Mission Hill School, Boston and founder of a network of schools in East Harlem, New York "In the Confucian tradition it is said that the mark of a golden era is that children are the most important members of the society and teaching is the most revered profession. Our jour ney to that ideal may be a long one, but it is books like this that will sustain us - for who are we all at our best save teachers, and who matters more to us than the children?" - Peter M. Senge, founding chair, SoL (Society for Organizational Learning) and author of The Fifth Discipline T001 0787969702<br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9529189>PN6101 .T36 2003</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b95291893/20/2013The British film industry in the 1970s : capital, culture and creativity / Sian Barber, Royal Holloway, University of London, UK. (3/20/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px'; valign='top'><a href=http://laurel.lso.missouri.edu/record=b9545784><img src='http://images.amazon.com/images/P/0230360955.01.MZZZZZZZ.jpg' style='border-style: none'/></a><p><center><a href=http://www.amazon.com/exec/obidos/ASIN/0230360955>View title at<br>Amazon.com</a></center>&nbsp;&nbsp;</p></td><td> <h3 class="productDescriptionSource" >Review</h3> <div class="productDescriptionWrapper" > 'A substantial analysis of British film-making in the 1970s that will make a thoughtful contribution to the field of British cinema studies.' - Andrew Spicer, University of the West of England, UK<br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9545784>PN1993.5.G7 B275 2013</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b95457843/20/2013The designs of Tony Walton / Delbert Unruh foreword by Richard Pilbrow. (3/20/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9462123>PN2096.W35 U57 2012</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b94621233/20/2013The feminist spectator as critic / Jill Dolan. (3/20/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9437892>PN2270.F45 D64 2012</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b94378923/20/2013The handbook of model-making for set designers / Colin Winslow. (3/20/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b9462120>PN2091.M6 W56 2008</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b94621203/20/2013Theatre and performance design : a reader in scenography / edited by Jane Collins and Andrew Nisbet. (3/20/2013)<table><tr><td width='130' style='padding:7px 0px 7px 0px';></td><td><br /><p>Call #: <a href=http://laurel.lso.missouri.edu/record=b7452555>PN2085 .T44 2010</a></p></td></tr></table>http://laurel.lso.missouri.edu/record=b74525553/20/2013